Two days of free intensive workshop on SC in Torino.

music/research
The VEP project in NY has been reviewed by The Wire, March 2010.
It seems that the audio processing stuff I implemented worked fine: “the digital manipulation of the original sound material was admirable and effective”.

I’m presenting an analysis of Bergman’s The Hour of the Wolf at the conference dedicated to Bergman here at Uni TO. That flm is an impressive achievement: I’ll try to show how much also from a sonic “point of hear”

Having written a (little) book on the subject, I’ve been asked by the Ultracorpi collective to present Coppola’s The Conversation. One of the best film ever produced. At Cinema Massimo, Museo Nazionale del Cinema, Torino, Friday February 19, 8.30 pm. Thanks Ultracorpi! It will be a pleasure to see TC on screen.

Here some shots from NY. Great success (and so much fun). (Maybe L.A.? Let’s see)

We’ll be in NY on Jan 15 2010 presenting the VEP project (virtual reconstruction of Philips Pavilion, including Varèse’s Poème électronique and Xenakis’ Concret PH) on a screen/multichannel setup for a big Xenakis event. It’s an EMF production. We’ll spatialize audio through 8 channels, thanks to SuperCollider.
See announcement here.

On his blog “Digita Musica” (hosted by La Stampa.it), Luca Castelli has discussed the SC140 compilation. He has been so kind to ask my opinion on the project. Here you read Luca’s post.

We have tested a multichannel rendering of our VEP application at the VRMMP. The new version will be premiered in New York, at The Drawing Center, on Jan 15 2010, for an exhibition dedicated to Iannis Xenakis. Some photos on flickr here

I’ve uploaded a video of the rumentarium (rec session in Palermo) here.

Silvio Lucchini has put in his site some fantastic photos of Sat 7 09, here in Turin, in the occasion of the installation/performance La terra guasta (me, Ramon Moro, tr, Paolo Armao, sound design).