music/research
This year SMC has not been organized by me (as the previous two online edition, blame COVID). It was in St. Étienne and with my colleague Valeriya Korol we presented a paper, “For LISA. Music Composition from Gravitational waves” explaining the process that went from Valeriya’s GWD data, for the LISA mission, to my piece for prepared piano. On July 28th we also had the chance to present it at LISA meeting. You can check the paper here. And the music is here.
On 28/05/2022 we celebrated the 25th jubilee of the Master programme I am directing, Master in Digital Technologies for Communication aka MATEC, University of Torino. An amazing day we had with our guests!
Seven hours of YouTube here.
On Nov 5, 2021, I’ve been invited to talk at the conference “Musica e Cinema. Oggetti, contesti e metodologie di indagine nella musica per film“. Unluckily, I wasn’t there physically, but at least I’ve been able to participate with a video talk, Musica e cinema: questioni semiotiche di enunciazione. A big thank to the organizing committee!
During this pandemic I’ve worked on the Unreal Book, an algorithmically generated version of the Real Book. I’ve presented a paper and a video presentation at SMC2021
I’ve presented a poster at SMC Sound and Music Computing in Malaga. So, now there’s a paper on the SonaGraph project.
I’ve been invited to hold a masterclass in physical computing/SuperCollider at Conservatorio di Genova by Daniele Ghisi. Here the link.
I’ve been in Udine for the XXII Colloquium on Musical Informatics (CIM), the meeting of AIMI, the Italian association for computer music. I gave a workshop on algorithmic composition, presented a paper and gave a tutorial lecture on SuperCollider. Now waiting for proceedings.
I’ve been invited to participate in Theatrum Botanicum by Almare at PAV, Parco Arte Vivente, Torino. In the occasion, Almare presented a booklet dedicate to Systema naturae and, in the occasion, I rebuild my good ole Rumetarium setup. Pics here.
I’ve been invited to discuss algorithmic composition and automatic notation at the Conservatorio D. Cimarosa in Avellino. It’s been a very nice occasion to introduce some experiences I developed since 2005.
I had the pleasure to discuss about spatialized sound in cinema with experts and sound designers at Università La Sapienza in Rome.
andrea valle 