I’ve been in Udine for the XXII Colloquium on Musical Informatics (CIM), the meeting of AIMI, the Italian association for computer music. I gave a workshop on algorithmic composition, presented a paper and gave a tutorial lecture on SuperCollider. Now waiting for proceedings.
I’ve been invited to participate in Theatrum Botanicum by Almare at PAV, Parco Arte Vivente, Torino. In the occasion, Almare presented a booklet dedicate to Systema naturae and, in the occasion, I rebuild my good ole Rumetarium setup. Pics here.
I’ve been invited to discuss algorithmic composition and automatic notation at the Conservatorio D. Cimarosa in Avellino. It’s been a very nice occasion to introduce some experiences I developed since 2005.
I’ve been invited to speak about Michael Nyman’s music in relation to Peter Greenaway’ films at the OGR-Officine Grandi Riparazioni, Torino. Here the announcement. I will intervene in duo with Domenico De Gaetano.
We will present a talk at SMC|ICMC joint conference about our project SoDA – Sound Design Accelerator, that is aimed at the automatic generation of soundscape from an annotated sound library as an aid to sound designer. The project is funded by Regione Piemonte on its Multimedia innovation programme. SoDA is lead by me at CIRMA, and includes Machiavelli, Celi, ZerodB. Marinos Koutsomichalis will present the talk. Special thanks also to my partner Paolo Armao.
Our spatialization of Xenakis’ Concret PH and Varèse’s Poème électronique, as reconstructed by the VEP Project, will be played on an 8-chan ring for the “Random Walks: Music of Xenakis and beyond” event, organised by The Fields Institute, together with the Perimeter Institute and the Institute for Quantum Computing in Waterloo, Canada.
Humbly proud to be there with my work on two so relevant music pieces.