We’ve been asked by the National Museum of Cinema to create a sound installation in the occasion of the exhibition #FacceEmozioni. So, together with Stefano Bassanese we thought about a sort of organ to listen to passions as described in the history of cinema, Organum pineale. Final design and realization by Guglielmo Diana, Luca Martone and Matteo Marson.
I’ve been invited to hold a masterclass in physical computing/SuperCollider at Conservatorio di Genova by Daniele Ghisi. Here the link.
I’ve been invited to hold a masterclass in physical computing/SuperCollider at Conservatorio di Vicenza, by GRAIM.
mdi ensemble wonderfully played the whole Systema naturae cycle that I co-composed with Mauro Lanza at Fabbrica del vapore, Milano, 11/10/18, a production by RepertorioZero. Incredible sold out! We also had the chance to discuss with Marco Ferraguti (Italian translator of my cult author S.J. Gould). Pics here. A very interesting review by Renato Rivolta is here.
I’ve been invited to participate in Theatrum Botanicum by Almare at PAV, Parco Arte Vivente, Torino. In the occasion, Almare presented a booklet dedicate to Systema naturae and, in the occasion, I rebuild my good ole Rumetarium setup. Pics here.
I had the pleasure to discuss about spatialized sound in cinema with experts and sound designers at Università La Sapienza in Rome.
After some years, I’m back at the Sound and Music Computing Conference, 14th ed, 2017, in Espoo. Presenting two papers, both available on line in the proceedings: Systema Naturae: shared practices between physical computing and algorithmic composition, with Mauro Lanza, and Electric Grammars. Algorithmic Design and Construction of Experimental Music Circuits, with Simone Pappalardo
Here a wonderful video documenting the work I did with colleague Jörg Kiefel and the students in Cologne in the occasion of the DAAD guest professorship in Detmold, winter 2016/17.