I’m presenting an analysis of Bergman’s The Hour of the Wolf at the conference dedicated to Bergman here at Uni TO. That flm is an impressive achievement: I’ll try to show how much also from a sonic “point of hear”

music/research
I’m presenting an analysis of Bergman’s The Hour of the Wolf at the conference dedicated to Bergman here at Uni TO. That flm is an impressive achievement: I’ll try to show how much also from a sonic “point of hear”