music/research
With Simone Pappalardo we designed and create the Otosimbionte installation, a feedback system with some computational elements, mostly based on DYI analog electronics. Otosimbionte keeps changing and singing while going.
More info here at Flickr
On Jan 19th, I’ve been invited by Matteo Bordone and Fabrizia Brunati as a guest at Mu, broadcast by the Italian national radio, Rai Radio 2. We discussed about physical computing and I made a demo with Rumentarium. Big fun!
Here some pics by Fabrizia Brunati. Here the podcast.
The new Organised Sound issue dedicated to “Re-wiring electronic music” contains my article “Making Acoustic Computer Music: The Rumentarium project” that sums up four years of research with the Rumentarium setup. To be precise: Andrea Valle (2013). Making Acoustic Computer Music: The Rumentarium project. Organised Sound, 18, pp 242-254. doi:10.1017/S1355771813000216.
I’m starting a week dedicated to a new piece in collaboration with friend composer Mauro Lanza. On november 4th we will premiere “Regnum animale” for amplified string trio and electro-mechanical devices, a commission by Milano Musica, played by Repertorio 0 ensemble. Before that, on 29th evening some insights on the production at Galleria Lia Rumma, Milan.
I’ve finally put on line a video from the Trilobiti installation in Latina, for the festival “Le forme del suono” on may 24th. Shortly, trilobites is a population of radioclocks capable of sensing the acoustic environment and reacting to it. Here it is. Here a video from the amazing live gig with Simone Pappalardo and Franz Rosati at Circolo Hemingway in Latin the same evening. I’m using a live setup with radioclocks.
I will be at “Le forme del suono” festival in Latina on 23-24 holding a SuperCollider crash course. I will also present the “Trilobiti” installation:
On 24 I’ll be with Simone Pappalardo and Franz Rosati for a gig at Circolo Hemingway, Latina.
On a Cage concert at Conservatorio di Torino (“Changes of Music”) we will premier an automated version of Imaginary Landscape no. 4. Originally scored for 12 radios and 24 performers, as a collaboration between CIRMA and Politecnico di Torino we have implemented a SuperCollider/Arduino version that automatises it. See here for the whole stuff. Proud of the project and of the crew.
Fabio Sibio kindly extracted for me an excerpt from his beautiful video dedicated to the Making together exhibition for Milan Design Week. I’m saying something about machina logotelica installation here.
Dispacci dal fronte interno [Dispatches from the homefront] is a work for feedback system including ad libitum strings, printer and live electronics, that I presented at Sonic Screens, on 01/12/2012.
Audio from strings, printers and environment is not only manipulated live, but some features are extracted and used to control not only the same sound processing but also the real-time generation and print on the fly of musical notation to be performed by the player. In short, the performer receives “dispatches” which content depends on what s/he is playing.
Here a video by Gianmarco Del Re (thanks!), featuring:
Èdua Amarilla Zádory – Violin
Ana Topalovic – Violoncello
No Title Gallery has published the catalog of Passenger exhibit including Organo fonatorio, for free here. A video is now on Vimeo here.
andrea valle 