I started a collaboration with the blog musicalettronica.it dedicate to electronic and contemporary music. Here and here the two parts of my first contribution, on algorithmic composition and automatic notation.
We performed Systema Naturae (the whole cycle of 4 pieces I co-wrote with Mauro Lanza) at Schaumbad, Graz, with wonderful Schallfeld Ensemble. In the occasion, we gave a couple of lecture at Uni and at IEM.
We opened our new lab at the Department of Humanities (StudiUm) with a concert dedicated to improvisation, called Macchine all’impronta. Great friends musicians participated and we did two of my pieces, Annuario telefonico (with Federico Marchesano, Stefano Risso, Luca Morino and Francesco Bianchi) and Minute di cronometria (with Carlo Barbagallo, Dario Bruna, Amos Cappuccio playing my electromechanical percussion setup, special guest Simone Pappalardo and Jean-François Laporte).
Impressive 360 video by Stefano Sburlati (do not open with Safari) here.
After some years, I’m back at the Sound and Music Computing Conference, 14th ed, 2017, in Espoo. Presenting two papers, both available on line in the proceedings: Systema Naturae: shared practices between physical computing and algorithmic composition, with Mauro Lanza, and Electric Grammars. Algorithmic Design and Construction of Experimental Music Circuits, with Simone Pappalardo
I’m very proud that my essay on “Modes of sign production” has been included into the volume dedicated to Umberto Eco in the Library of living philosophers.
With Mauro Lanza we had the pleasure to play our whole cycle System naturae, including the three Regna plus the premiere of the final episode, Fossilia, at the Museum of Natural Sciences in Berlin on June 19 with the amazing ensemble mosaik. A huge but rewarding amount of work, surrounded by dinosaurs. Pics collected here.
On May 4th,2017 I’m presenting a seminar on semiotic aspects of programming languages in the context of the seminar cycle by CIRCe of University of Torino, Semiotica dell’aspettualità.
I’m very happy to have my computational implementation of Enore Zaffiri’s Musica per un anno out for Mazagran label. With a two essays by me and Vincenzo Santarcangelo. Special thanks to Riccardo Wanke.