music/research
I’ve been in Udine for the XXII Colloquium on Musical Informatics (CIM), the meeting of AIMI, the Italian association for computer music. I gave a workshop on algorithmic composition, presented a paper and gave a tutorial lecture on SuperCollider. Now waiting for proceedings.
I’ve been invited to hold a masterclass in physical computing/SuperCollider at Conservatorio di Vicenza, by GRAIM.
I’ve been invited to participate in Theatrum Botanicum by Almare at PAV, Parco Arte Vivente, Torino. In the occasion, Almare presented a booklet dedicate to Systema naturae and, in the occasion, I rebuild my good ole Rumetarium setup. Pics here.
I’ve been invited to discuss algorithmic composition and automatic notation at the Conservatorio D. Cimarosa in Avellino. It’s been a very nice occasion to introduce some experiences I developed since 2005.
I started a collaboration with the blog musicalettronica.it dedicate to electronic and contemporary music. Here and here the two parts of my first contribution, on algorithmic composition and automatic notation.
After some years, I’m back at the Sound and Music Computing Conference, 14th ed, 2017, in Espoo. Presenting two papers, both available on line in the proceedings: Systema Naturae: shared practices between physical computing and algorithmic composition, with Mauro Lanza, and Electric Grammars. Algorithmic Design and Construction of Experimental Music Circuits, with Simone Pappalardo
I’m very happy to have my computational implementation of Enore Zaffiri’s Musica per un anno out for Mazagran label. With a two essays by me and Vincenzo Santarcangelo. Special thanks to Riccardo Wanke.
I’m very happy to have started my semester as Guestprofessor in the “Detmold Residence for Sound, Image & Space Design” for the winter semester 2016. The image shows a workshop I did about using the wonderful Wave field synthesis system available in the Konzerthaus
I’m very proud of having my introductory book on SuperCollider translated into English and published by Logos Verlag, Berlin. Here the publisher’s web page. Thanks to Marinos Koutsomichalis, Joe Higham, Josh Parmenter.
In Dec 2015 we did a new edition of the Officine sintetiche project (founded by Fondazione CRT, a collaboration between StudiUm department, CIRMA UniTo, PoliTo and ConsTo, SMET). We did two workshops respectively by Mark Coniglio (Isadora) and Simone Pappalardo (DIY feedback music instruments), and finished with a performance at Superbudda. Thanks Finder for technical sponsorship. Here some pics I collected and the video of the performance I did with Simone Pappalardo (here).
andrea valle 