Zaffiri’s Musica per un anno in Lugano

I will present my digital reconstruction of Enore Zaffiri’s Musica per un anno in Lugano, at the Conservatorio della Svizzera Italiana, for Oggi musica, on Friday 11th October 2013. Happy to be able to propose again this relevant electronic work, between music and sound installation.

Enore Zaffiri's Musica per un anno
Enore Zaffiri's Musica per un anno

Dispacci in Live at ‘O out on Synesthesia

I’m happy to be in such a good company, with Agostino di Scipio and Federico Placidi on the album issued by Synesthesia recordings, Live at ‘O, that documents the concert we did in Dec 2012. It feature Dispacci dal fronte interno, for strings, printers and live notation. You can find it here. Thanks Matteo Milani and Federico Placidi of USO project.

Live at 'O
Live at 'O

Trilobiti and live in Latina

I’ve finally put on line a video from the Trilobiti installation in Latina, for the festival “Le forme del suono” on may 24th. Shortly, trilobites is a population of radioclocks capable of sensing the acoustic environment and reacting to it. Here it is. Here a video from the amazing live gig with Simone Pappalardo and Franz Rosati at Circolo Hemingway in Latin the same evening. I’m using a live setup with radioclocks.

Trilobiti
Trilobiti

24/05/13 Randomw Walks: Xenakis and Varèse

Our spatialization of Xenakis’ Concret PH and Varèse’s Poème électronique, as reconstructed by the VEP Project, will be played on an 8-chan ring for the “Random Walks: Music of Xenakis and beyond” event, organised by The Fields Institute, together with the Perimeter Institute and the Institute for Quantum Computing in Waterloo, Canada.

Humbly proud to be there with my work on two so relevant music pieces.

Random Walks
Random Walks

23-24/05/13 Le forme del suono

trilobite
trilobite

I will be at “Le forme del suono” festival in Latina on 23-24 holding a SuperCollider crash course. I will also present the “Trilobiti” installation:

A population of 8 radioclocks, each one listening to the surrounding environment. When a sound is detected, each radioclock starts emitting a pattern deriving from the letters composing the word “telegraph”, translated into Morse code. Both listening and emitting happen through radioclock’s loudpspeakers.
To be premiered on May 24th, the day when Morse sent the sentence “What hath God wrought”.
A feedback system, you know when trilobites start singing, but not when they stop.

On 24 I’ll be with Simone Pappalardo and Franz Rosati for a gig at Circolo Hemingway, Latina.

Imaginary Landscape no. 4

On a Cage concert at Conservatorio di Torino (“Changes of Music”) we will premier an automated version of   Imaginary Landscape no. 4. Originally scored for 12 radios and 24 performers, as a collaboration between CIRMA and Politecnico di Torino we have implemented a SuperCollider/Arduino version that automatises it. See here for the whole stuff. Proud of the project and of the crew.

Imaginary Landscape no. 4
Imaginary Landscape no. 4